Bill Viola (b. 1951, United States) is internationally recognised as one of the leading artists of our time, an acknowledged pioneer in the medium of video art. For over 40 years he has been making work that explores a series of humanistic and spiritual issues. His works include room-size video installations, sound environments, electronic music performances and flat panel video pieces, as well as works for television broadcast, concerts, opera, and sacred spaces. In 2017 alone he was the subject of several major museum retrospectives including Palazzo Strozzi, Florence; The Diechtorhallen, Hamburg; and Guggenheim Museum Bilbao.
Viola’s video installations – total environments that envelop the viewer in image and sound – employ state-of-the-art technologies and are distinguished by their precision and direct simplicity. They are shown in museums and galleries worldwide and are found in many distinguished collections. His single-channel videotapes have been widely broadcast and presented cinematically, while his writings have been extensively published and translated for international readers. Viola uses video to explore the phenomena of sense perception as an avenue to self-knowledge.
Bill Viola received his BFA in Experimental Studios from Syracuse University in 1973. During the 1970s he lived for 18 months in Florence, Italy, as technical director of production for art/tapes/22, one of the first video art studios in Europe, and then traveled widely to study and record traditional performing arts in the Solomon Islands, Java, Bali, and Japan. Viola was invited to be artist-in-residence at the WNET Channel 13 Television Laboratory in New York from 1976-1980, where he created a series of works that were premiered on television. In 1977 Viola was invited to show his videotapes at La Trobe University (Melbourne, Australia) by cultural arts director Kira Perov who, a year later, joined him in New York. They married in 1980 and began a lifelong collaboration working and traveling together.
Viola represented the US at the Venice Biennale in 1995. Other key solo exhibitions include; Bill Viola: A 25-Year Survey organised by the Whitney Museum of American Art (1997); The Passions at the J.Paul Getty Museum (2003); Hatsu-Yume (First Dream) at the Mori Art Museum in Tokyo in 2006; Bill Viola, visioni interiori at the Palazzo delle Esposizioni, 2008; Bill Viola, Grand Palais, Paris 2014; and in 2017, three major exhibitions: Bill Viola. Electronic Renaissance, Palazzo Strozzi, Florence; Bill Viola: Installations, Deichtorhallen, Hamburg; and Bill Viola: Retrospective, Guggenheim Bilbao, Spain. Martyrs (Earth, Air, Fire, Water), the first of two permanent works created for St Paul’s Cathedral, London, was inaugurated in 2014, followed by Mary in 2016. In 2004 Viola created a four-hour long video for Peter Sellars’ production of Wagner’s Tristan und Isolde, presented in project form by the Los Angeles Philharmonic in December 2004. The complete opera received its world premiere at the Opéra National de Paris, Bastille in April 2005 and has had many performances in the US, Canada, Europe and Japan.
Viola holds honorary doctorates from Syracuse University (1995), The School of the Art Institute of Chicago (1997), California Institute of the Arts (2000), and Royal College of Art, London (2004), among others. He is the recipient of numerous awards and honors including a John D. and Catherine T. MacArthur Foundation Fellowship (1989). He was inducted into the American Academy of Arts and Sciences in 2000 and in 2006 he was awarded Commander of the Order of Arts and Letters by the French Government. In 2009 he received the XXI Catalonia International Prize in Barcelona, Spain and was awarded the Japan Art Association’s Praemium Imperiale art award in the category of painting in 2011. Viola was made a National Academician of the New York-based National Academy in June 2012 and elected an Honorary Royal Academician in 2017.
Bill Viola and Kira Perov, his wife, long-time collaborator and executive director of Bill Viola Studio, live and work in Long Beach, California.
Honorary RA
Born: 1951 in New York
Nationality: American
Elected Hon RA: 1 June 2017
Gender: Male
Preferred media: Installation art, Video art, and Film making
2017 Bill Viola: Retrospective, Guggenheim Museum Bilbao, Bilbao, (forthcoming)
Bill Viola: Installations, Deichtorhallen, Hamburg
Bill Viola. Electronic Renaissance, Palazzo Strozzi, Florence
2016 Bill Viola and the Moving Portrait, National Portrait Gallery, Washington DC
Mary, St. Paul’s Cathedral, London (permanent installation)
2015 Inverted Birth, James Cohan Gallery, New York
Moving Stillness (Mt. Rainer), 1979, Blain|Southern, London
The Talking Drum, Blain|Southern at The Vinyl Factory Space at Brewer Street Car Park, London
Artist Rooms, The Wilson, Cheltenham Art Gallery and Museum, Gloucestershire
Bill Viola,Yorkshire Sculpture Park, West Yorkshire
Bill Viola: Selected Works, Art Gallery of South Australia, Adelaide
Bill Viola: Kukje Gallery, Seoul
2014 Martyrs (Earth, Air, Fire, Water), St. Paul’s Cathedral, London (permanent installation)
Bill Viola: Passions, Kunstmuseum Bern and at the Cathedral of Bern
Bill Viola, Grand Palais, Paris
Bill Viola – en dialogo, Real Academia de Bellas Artes de San Fernando, Madrid
Bill Viola: Transformation, Faurschou Foundation, Beijing
2017 Versus Rodin: Bodies Across Space and Time, Art Gallery of South Australia, Adelaide
Nature: Man’s Refuge and Resource, Néstor Kirchner Cultural Center, Buenos Aires
Art Rock, Saint-Brieuc Museum, Saint-Brieuc
2016 Passion. Albrecht Bouts and the Face of Christ, Musée national d’histoire et d’art, Luxembourg; in 2017 travels to Suemondt-Ludwig-Museum, Aachen
Terry Fox–Bill Viola, Musée des Beaux-Arts at Mons
Home Land Security, Fort Winfield Scott, San Francisco, California
Organic Body–Fragile Body, Venice International Performance Art Week, Palazzo Mora, Venice
2015 Leonardo da Vinci’s Leicester Codex and the Power of Observation, Phoenix Art Museum, Texas; travels to Minneapolis Museum of Art
The Botticelli Renaissance, Gemäldegalerie–Staatliche Museen zu Berlin; travels in 2016 under title Botticelli Reimagined to Victoria and Albert Museum, London
Phantom Bodies: The Human Aura in Art, The Frist Center for the Visual Arts, Nashville, Tennessee; in 2016 travels to Ringling Museum, Sarasota, Florida
Future Present, Schalager, Basel
2014 Invitation au Voyage, Louvre Museum, Paris
Belle Haleine–The Scent of Art, Museum Tinguely, Basel
Watch This! Revelations in Media Art, Smithsonian American Art Museum, Washington D.C.
Heartbreak Hotel, 56th Venice Biennale, collateral event organized by Vanhaerents Art Collection, Zeucca Projects Space, Giudecca
2013 National Artist Award, Anderson Ranch, Snowmass Village, Colorado
Aurora Award, Aurora Picture Show, Houston, Texas
2011 Arents Award for Distinguished Alumni, Syracuse University, New York
Praemium Imperiale, Japan Art Association, Tokyo
2009 Eugene McDermott Award in the Arts, MIT, Cambridge, Massachusetts
XXI Catalonia International Prize, government of Catalonia, Barcelona
2006 NORD/LB Art Prize, Bremen
Commander of the Order of Arts and Letters, government of France
2003 Cultural Leadership Award, American Federal of Arts
1993 Skowhegan Medal (video installation)
Medienkunstpreis, Zentrum für Kunst und Medientechnologie, Karlsruhe, and Siemens Kulturprogramm
1989 John D. and Catherine T. MacArthur Foundation Award
1987 Maya Deren Award, American Film Institute
1984 Polaroid Video Art Award for outstanding achievement
Recipient of many honorary doctorates including from Syracuse University (1995) and Royal College of Art (2004), London.
Member of American Academy of Arts and Sciences; and National Academy, New York