George III King of Great Britain (1738 - 1820)

Sir William Hamilton

The Meidias Hydria: The rape of the daughter of Leucippus by the Dioscuri, Castor and Pollux, attic hydria (colour plate)

Sir William Hamilton

Vulcan presents arms to Thetis

Etching with hand colouring

Sir William Hamilton

Colour plate of bearded Dionysus, seated, and Pan, taken from an attic lekythos

Etching with hand colouring

Sir William Hamilton

Colour plate of woman's head with cap, from a campanian hydria

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Colour plate of two syrens, from black figured alabastron

Etching with hand colouring

Sir William Hamilton

Colour plate of youth with spears pursuing a woman

Etching with hand colouring

Sir William Hamilton

Colour plate of an arming scene, from a lucanian bell krater

Etching with hand colouring

Sir William Hamilton

Colour plate of woman, Eros and youth, from an attic pelike

Etching with hand colouring

Sir William Hamilton

Colour plate of Eros and two woman (possibly Aphrodite?)

Etching with hand colouring

Sir William Hamilton

Colour plate of two lions fighting, from attic black figure lekythos

Etching with hand colouring

Sir William Hamilton

Colour plate of two warriors fighting in front of two youths, from attic black figured lekythos

Etching with hand colouring

Sir William Hamilton

Outline and profile of attic black figured lekythos

Sir William Hamilton

Attic black figured lekythos showing two warriors fighting in front of two youths

Sir William Hamilton

The Hamilton Vase: Colour plate of woman's head among plant motifs, from apulian volute krater

Etching with hand colouring and highlights in white lead

Sir William Hamilton

The Hamilton Vase: Colour plate of youth in a temple, stele and eight youths

Etching with hand colouring and highlights in white lead

Sir William Hamilton

The Hamilton Vase: Outline and profile of youth in a temple

Sir William Hamilton

The Hamilton Vase: Outline and profile of apulian volute krater

Sir William Hamilton

The Hamilton Vase: Apulian volute krater showing youth in a temple and other two figures

Sir William Hamilton

Colour plate of Cadmos at Ares's well, from attic oinoche

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Colour plate of comic actor with torches, from campanian bell krater

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Colour plate of an owl, from a cotyle

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Colour plate of Dionysian group with satyrs and maenad, from attic bell krater

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Colour plate of woman's head, from campanian black figured leykythos

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Outline and profile of campanian black figured lekythos

Sir William Hamilton

Campanian black figured lekythos showing woman's head

Sir William Hamilton

Colour plate of Eos pursuing Kephalos, from attic kalyx krater

Etching with hand colouring

Sir William Hamilton

Attic kalyx krater showing Eos pursuing Kephalos

Sir William Hamilton

Outline and profile view of attic hydria

Sir William Hamilton

Attic hydria showing Apollo, Eros and the Muses at their toilet

Sir William Hamilton

Lucanian bell krater (left) and attic hydria (right)

Sir William Hamilton

Colour plate of attic hydria showing two women playing ball

Sir William Hamilton

The Hunt Krater: coloured plate showing three galloping horsemen

Sir William Hamilton

The Hunt Krater: colour plate of boar hunt with five hunters

Sir William Hamilton

The Hunt Krater: outlined view and profile

Sir William Hamilton

The Hunt Krater: detailed view showing three galloping horsemen

Sir William Hamilton

Of Sculpture and Painting

Sir William Hamilton

Of Sculpture and Painting

Sir William Hamilton

Of Architecture, Antiquity of the Tuscan Order

Sir William Hamilton

Of Architecutre, Antiquity of the Tuscan Order

Sir William Hamilton

Of the Origin of the Etruscans, and of their Letters

Sir William Hamilton

Of the Origin of the Etruscans, and of their Letters

Sir William Hamilton

Title page

Sir William Hamilton

Title-page

Sir William Hamilton

Preface

Sir William Hamilton

Preface

After Charles-Louis Clérisseau

Aqueduct which conveyed water from Salona to the Diocletian palace , 1764

Etching on laid paper

After Charles-Louis Clérisseau

Sphinx viewed from three sides, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Bas-reliefs from the church of St. Felix, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Bas-relief and Sphinx from the Diocletian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Architectural details from the Dioceltian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Architectural details from the Temple of Aesculapius and the Peristyle, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Frieze of the Temple of Aesculapius and bas-reliefs of an urn found nearby, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Exterior Order of the Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Architectural details from the Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Door of the Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Section of the Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Lateral Elevation of the Temple of Aesculapius , 1764

Etching on laid paper

After Charles-Louis Clérisseau

Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Plan of the Temple of Aesculapius, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Bas-reliefs from the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Architectural details of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Second Interior Order of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

First interior Order of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Section of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Inside of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Part of the Door of the Temple of on a larger scale, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Door of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Exterior Order of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Elevation of the Temple of Jupiter, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Temple of Jupiter in the Diocletian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Side view of the Temple of Jupiter in the Diocletian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Plan of the Temple of Jupiter in the Diocletian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Part of the door to the vestibule of the Diocletian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Door to the vestibule of the Diocletian palace, Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Vestibule of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Detail from the portico of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Portico of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Peristyle of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Details from the north wall of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Consoles of the columns to the north wall of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Archivolt and sill of the north wall of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Noth wall and octagonal towers of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

North wall of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

North Wall of the Diocletian palace in Split, as conceived and in ruins, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Arch of the cryptoporticus in the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Diocletian Palace in Split, from the harbour, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Plan of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Plan of the Diocletian palace in Split, 1764

Etching on laid paper

After Charles-Louis Clérisseau

Plan and Ruins of the Diocletian palace in Split , 1764

Etching on laid paper

After Charles-Louis Clérisseau

Porta Ferrea (Iron Gate) in the Diocletian palace, Split, 1764

Etching on laid paper

Sir William Hamilton

Outline and profile of attic kalyx krater

Sir William Hamilton

Colour plate of Apollo, Eros and the Muses at their toilet, from attic hydria

Etching with hand colouring and highlights in white lead

Sir William Hamilton

Dedication to King George III

After Charles-Louis Clérisseau

Interior Frize and Cornice of the Temple of Aesculapius; Soffit of the above Frize and Cornice, 1764

Etching on laid paper

From: Royal Academy of Arts (London)

RA diploma (J.M.W. Turner), 8 April 1802

Etching with engraving

Giovanni Battista Cipriani RA

Dedication leaf

Line-engraving

After Sir Joshua Reynolds PRA

Portrait of George III, 18 June 1789

Stipple engraving

After Allan Ramsay

Portrait of George III, c.1765?

Mezzotint

After Mr T. Pingo and Giovanni Battista Cipriani RA and Edward Penny RA

Royal Academy Schools, silver medal (George III)

Silver

Agostino Carlini RA

Bust of George III, 1773

Marble

Sir Joshua Reynolds PRA

Portrait of King George III, 1779

Oil on canvas

Agostino Carlini RA

Model for an Equestrian Statue of King George III, 1769

Gilded plaster with metal and string bridle

John Keyse Sherwin

The Earl of Chatham taken Ill at the House of Lords, April 7th 1778, 1779

Frans Adolf

George III when prince of Wales, c.1755