RA Collection: People and Organisations
Known for his popular paintings of historical, mythological and religious subjects, Frederic, Lord Leighton served as President of the Royal Academy for 18 years.
Born in Yorkshire to wealthy parents, Leighton spent his late teens and early twenties travelling around Europe, studying at various academies in Italy, Germany and France. In 1855, he made his first submission to the Royal Academy’s Summer Exhibition, Cimabue’s Celebrated Madonna. The subject comes from the writings of the Renaissance painter and art historian Giorgio Vasari, who described Cimabue’s Rucellai Madonna being carried in procession from the painter’s house to the church of Santa Maria Novella in Florence. On the opening day of the exhibition Leighton’s painting was bought by Queen Victoria, establishing Leighton as an important new arrival on the London art scene. The painting is now on display at the National Gallery on loan from the Royal Collection.
Despite his early success, Leighton remained something of an outsider for a time perhaps because of his Continental training and connections. He was elected an Associate Member of the Royal Academy in 1864 after putting his name forward for election on several previous occasions. Over the following years, he successfully forged close friendships with artists both inside and outside the Academy and continued to regularly exhibit impressive paintings of classicising subjects like The Daphnephoria. In 1868 he became a full Royal Academician and presented St Jerome as his Diploma work.
Leighton produced both paintings and sculptures. In both cases he produced numerous preparatory drawings and also made plaster models on which he could drape fabric and study the effects of drapery on the figures. Leighton’s 1878 sculpture, An Athlete Wrestling with a Python has been retrospectively heralded as the beginning of the “New Sculpture” movement, which sought to imbue sculpture with a new sense of dynamism and naturalism.
In the late 1860s, Leighton built a lavish studio home in west London, encouraging several other leading artists to follow him. Fellow Royal Academicians G.F. Watts RA, Val Prinsep RA and Hamo Thornycroft RA were among the artists who formed the “Holland Park Circle”.
In 1878, Leighton was elected President of the Royal Academy, cementing his position at the centre of London’s art world. By the 1880s he also served on the advisory boards of the British Museum, the National Portrait Gallery and the Sir John Soane’s Museum.
Leighton was knighted in 1878 and in 1896 became the first painter to be given a peerage. Sadly, this was a short-lived honour as the artist died the following day. His last words were “My love to the Academy”. After an elaborate funeral arranged by the Royal Academy, Leighton was buried at St Paul’s Cathedral. His home in Holland Park has been preserved as the Leighton House Museum.
Born: 3 December 1830 in Scarborough, Yorkshire, England, United Kingdom
Died: 25 January 1896
Nationality: British
Elected ARA: 20 July 1864
Elected RA: 30 June 1868
President from: 1878 - 1896
Gender: Male
Preferred media: Painting, Sculpture, and Illustration
Lord Leighton PRA
Sketches for 'Boy with a shield holding a vase', c. 1869
Pencil on wove paper
Lord Leighton PRA
Sketch model for the Dragon in the painting 'Perseus and Andromeda', ca.1890
Plaster
Lord Leighton PRA
Sketch model of Perseus, Pegasus and Andromeda for 'Perseus and Andromeda', ca.1896 (after a plaster dated ca.1890)
Bronze
Lord Leighton PRA
Reclining male nude, 1850s?
Black chalk on light grey laid paper
Lord Leighton PRA
Four sketches of a woman undressing, 1870s or early 1880s
Pencil on wove paper
Lord Leighton PRA
Sketches of standing female figures, probably early 1870s
Pencil on wove paper
Lord Leighton PRA
Three sketches of standing women, 1870s?
Pencil on wove paper
Lord Leighton PRA
Sketches of figures, including one for 'Invocation', probably 1880s
Pencil on wove paper
Lord Leighton PRA
Four sketches of a standing woman, including one for 'Clytemnestra', by 1874 (?)
Pencil on wove paper
Lord Leighton PRA
Three sketches of female figures, including one for 'Phryne at Eleusis', by 1880-82
Pencil on wove paper
Lord Leighton PRA
Sketches of a woman undressing, probably for 'Iostephane', 1870s?
Pencil on wove paper
Lord Leighton PRA
Three sketches of standing women, 1870s?
Pencil on wove paper
Lord Leighton PRA
Two sketches, one for the figure of 'Phryne', by c. 1882
Pencil on wove paper
Lord Leighton PRA
Two sketches of standing female figure, possibly for 'Clytemnestra', by 1874
Pencil on wove paper
Lord Leighton PRA
Sketches of two standing women, 1870s or early 1880s
Pencil on wove paper
Lord Leighton PRA
Two sketches of a standing female figure, 1870s or early 1880s
Pencil on wove paper
Lord Leighton PRA
Standing female figure viewed from the back, 1870s or early 1880s
Pencil on wove paper
Lord Leighton PRA
Sketches of anthropomorphic vases, c. 1871
Pencil on wove paper
Lord Leighton PRA
Sketches for 'St. Jerome in the Wilderness' and another composition, by 1869
Pencil on grey laid paper
Lord Leighton PRA
Sketches for an early version of 'Electra at the Tomb of Agamemnon', Probably 1860s
Pencil with some black chalk on cream laid paper
Lord Leighton PRA
Compositional sketch for 'Daedalus and Icarus', by 1868
Pencil on cream laid paper
Lord Leighton PRA
Compositional sketches for 'Helios and Rhodos' and 'Daedalus and Icarus', ca. 1868
Pencil on cream laid paper
Lord Leighton PRA
View on a Venetian canal, 1852
Pencil on wove paper
Lord Leighton PRA
View near San Miniato, Florence, for a vignette illustration to Romola, 1852
Pencil on wove paper
Lord Leighton PRA
View of Perugia showing the church of Sant'Ercolano, 1852
Pencil on wove paper
Lord Leighton PRA
Study of a carved capital at La Zisa, Palermo, probably before 1877
Pencil on wove paper
Lord Leighton PRA
Study of a carved capital in La Zisa, Palermo, probably by 1877
Pencil on wove paper
Lord Leighton PRA
Small compositional sketch for a portrait of May Sartoris, by c. 1860
Pencil on wove paper
Lord Leighton PRA
Early sketch for 'Perseus and Andromeda', c. 1868?
Pencil on cream laid paper
Lord Leighton PRA
Thumbnail sketches of figures, c. 1868
Pencil on cream laid paper
Lord Leighton PRA
Thumbnail sketches of figures, c. 1868
Pencil on cream laid paper
Lord Leighton PRA
Thumbnail sketches of Egyptian figures, c. 1868
Pencil on cream laid paper
Lord Leighton PRA
Cymon, ca. 1884
Plaster
Lord Leighton PRA
Athlete struggling with a Python (reduced version), ca.1874
Plaster
Lord Leighton PRA
Sketch of a standing female figure holding a palm or laurel branch, 1870s or early 1880s
Pencil on wove paper
Lord Leighton PRA
Tracing of two women with infants
Pencil on tracing paper
Lord Leighton PRA
Tracing of a chandelier and decorative details, for 'Interior of the Grand Mosque of Damascus', c. 1873-5
Pen and black ink, over pencil on tracing paper
Lord Leighton PRA
Tracing of architectural details relating to 'Interior of the Grand Mosque of Damascus'
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Memories', by ca. 1883
Pencil on tracing paper
Lord Leighton PRA
Tracing, probably for an illustration
Pencil on tracing paper
Lord Leighton PRA
Tracing, probably for an illustration
Pencil on tracing paper
Lord Leighton PRA
Tracing for a decorative design, ca. 1871
Pencil on tracing paper
Lord Leighton PRA
Tracing of the head of a girl
Pencil on tracing paper
Lord Leighton PRA
Tracing for a portrait, possibly after a portrait of Michelangelo
Pencil on tracing paper
Lord Leighton PRA
Tracing for a frieze of birds for the staircase of 44 Belgrave Square, c. 1870
Pencil and watercolour on tracing paper
Lord Leighton PRA
Tracing for the decoration of the staircase at 44 Belgrave Square, ca. 1869
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Samson and Delilah'
Pencil on tracing paper
Lord Leighton PRA
Tracing of decorative drapery for an unidentified composition
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Summer Moon', by ca. 1872
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for a half length painting of a standing girl
Black chalk on tracing paper
Lord Leighton PRA
Tracing of the central group of female figures for 'The Arts of Industry as Applied to Peace', by ca. 1884
Pencil and white paint on tracing paper
Lord Leighton PRA
Squared up tracing for the whole composition of 'The Arts of Industry as Applied to Peace', by ca. 1884
Pencil on tracing paper (squared up in pen and red ink over pencil)
Lord Leighton PRA
Tracing of a group of figures for 'The Arts of Industry as Applied to Peace', by ca. 1884
Pencil and white paint on tracing paper
Lord Leighton PRA
Squared up tracing for 'Michelangelo Nursing his Dying Servant', by ca. 1862
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Eucharis', by ca. 1863
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'A Condottiere', by ca. 1872
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing, probably for 'Whispers', probably ca. 1881
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'An Idyll', by ca. 1880-1
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Lachrymae', by ca. 1895
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Cymon and Iphigenia', by 1884
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Fisherman and the Syren: From a Ballad by Goethe', ca. 1856-8
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'David - Oh that I had the wings of a dove! For then I would fly away and be at rest', 1865
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Star of Bethlehem', 1862
Black and white chalk on tracing paper
Lord Leighton PRA
Tracing for 'The Sluggard', by 1885
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'An Athlete Wrestling with a Python'
Pencil on tracing paper
Lord Leighton PRA
Tracings of figures for 'The Syracusan Bride', by 1886-8
Pencil on tracing paper
Lord Leighton PRA
Tracings of figures for 'The Syracusan Bride', by 1886-8
Pencil on tracing paper
Lord Leighton PRA
Tracing of a standing female figure
Pencil on tracing paper
Lord Leighton PRA
Tracing of figures for 'The Daphnephoria', by ca. 1874-6
Pencil on tracing paper
Lord Leighton PRA
Tracing of figures for 'The Daphnephoria', by ca. 1874-6
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Captive Andromache', by 1886-8
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Captive Andromache', by 1886-8
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Captive Andromache', ca. 1886-8
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Family of Darius before Alexander'
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Feigned Death of Juliet', by 1858
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Elijah in the Wilderness', by ca. 1878
Pencil on tracing paper
Lord Leighton PRA
Squared-up tracing for 'The Arts of Industry as Applied to War', by 1878-80
Pencil on tracing paper (and wash?)
Lord Leighton PRA
Tracing for a portrait of a lady
Black chalk on tracing paper
Lord Leighton PRA
Tracing for the figure of Erato (Marquand's Music Room), by ca. 1886
Pencil on tracing paper
Lord Leighton PRA
Tracing for a female head, probably for 'The Jealousy of Simoetha the Sorceress', 1880s
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Dying Message', by October 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Drifting Away', by June 1863
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Wedded', by ca. 1881-2
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Kittens', by ca. 1883
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Vestal', by ca. 1883
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Paolo and Francesca', by 1860-1
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Greek Girl Dancing', by ca. 1867
Pencil with pen and black ink on brown tracing paper
Lord Leighton PRA
Squared up tracing for 'Orpheus and Eurydice', by ca. 1864
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'A Widow's Prayer', ca. 1860s
Pencil on tracing paper
Lord Leighton PRA
Tracing for an illustration, probably to Romola, 1862-3
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Visible Madonna', 1862-3
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Jezebel and Ahab', by ca. 1862-3
Pencil on tracing paper
Lord Leighton PRA
Tracing of a man's head in profile
Pencil on tracing paper
Lord Leighton PRA
Tracing of a woman's head in profile
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Helios and Rhodos', by 1868-9
Pencil on tracing paper
Lord Leighton PRA
Tracing for the reverse of the Queen Victoria Jubilee Medal, by 1887
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for Marquand's Music Room, by 1887
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for the figure of Terpsichore (Marquand's Music Room ceiling), by ca. 1886
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for the figure of Erato (Marquand's Music Room ceiling), by ca. 1886
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Weaving the Wreath', by 1872
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Painter's Honeymoon', by ca. 1864
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Jonathan's Token to David', by ca. 1868
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Daphnephoria', by 1874-6
Pencil and white paint on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Dance', by ca. 1881-3
Pencil on tracing paper (squared up in red ink)
Lord Leighton PRA
Tracing for the Wise and Foolish Virgins, by 1864
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Ariadne Abandoned by Theseus', by 1868
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Syracusan Bride', by 1865-6
Pencil on tracing paper
Lord Leighton PRA
Unfinished tracing for 'The Daphnephoria', by 1874-6
Pencil on tracing paper
Lord Leighton PRA
Tracings of a figure for 'The Daphnephoria', by 1874-6
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'A Bacchante', by ca. 1892
Black chalk on tracing paper
Lord Leighton PRA
Tracing for 'At the Fountain', by ca. 1892
Black chalk on tracing paper
Lord Leighton PRA
Tracing for 'Cain and Abel', 1863-4
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Great God Pan', 1860
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Eliezer and Rebekah', Probably 1860s
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The First Kiss', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Escaped Prisoner', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'You didn't think it was so pretty, did you', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'A Supper in the Rucellai Gardens', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Coming Home', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Will his Eyes Open?', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'A Florentine Joke', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'But you will help me?', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for a vignette illustration for Romola, 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Father, I will be guided', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Tessa at Home', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Niccolò at Work', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Peasants' Fair', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Mona Brigida's Conversion', 1862
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for a portrait of May Sartoris, by 1875
Pencil on tracing paper
Lord Leighton PRA
Sketch model of Perseus and Pegasus for the painting 'Perseus and Andromeda', ca. 1890
Plaster
Lord Leighton PRA
Tracing for 'Moses Viewing the Promised Land', 1863-4
Pencil on tracing paper
Lord Leighton PRA
Tracings for figures in 'Captive Andromache', by ca. 1886-8
Black chalk on tracing paper
Lord Leighton PRA
Tracing for 'The Blind Scholar and his Daughter', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Suppose you let me look at myself', 1862
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Escaped', by 1862-3
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Painted Record', by 1862
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Return of Persephone', by ca. 1890-1
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Garden of the Hesperides', ca. 1892
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Dante in Exile', by 1864
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Perseus on Pegasus Hastening to the Rescue of Andromeda', by ca. 1895-6
Black chalk on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Hit', by ca. 1893
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'The Last Watch of Hero', by ca. 1887
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Bracelet', by ca. 1894
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Fatidica', by ca. 1893-4
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Solitude', by ca. 1890
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Flaming June', by ca. 1895
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Flaming June', by ca. 1895
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Summer Slumber', 1894
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Perseus and Andromeda', by ca. 1891
Black chalk on tracing paper
Lord Leighton PRA
Squared up tracing for 'Perseus and Andromeda', by ca. 1891
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for a composition with a nude male figure, probably 1860s
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'Greek Girls Playing at Ball', by 1888-1889
Pencil on tracing paper
Lord Leighton PRA
Squared up drawing for 'Daedalus and Icarus', ca. 1869
Pencil on tracing paper
Lord Leighton PRA
Squared up tracing for 'The Antique Juggling Girl', by ca. 1873
Pencil on tracing paper
Lord Leighton PRA
Tracing for 'Captive Andromache', by ca. 1886-8
Pencil on tracing paper
Lord Leighton PRA
Study of a standing female nude, probably for 'Venus and Cupid', probably by ca. 1856
Black chalk with white paint highlights on grey wove paper
Lord Leighton PRA
Study of a draped arm, 1860s?
Black chalk and white paint (?) on blue/grey laid paper
Lord Leighton PRA
Study for 'Perseus and Andromeda', ca. 1891
Black and white chalk on brown wove paper
Lord Leighton PRA
Study of a boy's head for 'Cimabue' (recto) and study of a woman with a guitar (verso), probably 1853
Buff wove paper
Lord Leighton PRA
Study of a draped, seated female figure for 'Music', by 1883-5
Black and white chalk on brown laid paper
Lord Leighton PRA
Head and shoulders of a man, possibly relating to 'Cimabue's Celebrated Madonna'
Watercolour and gouache over black chalk on blue wove paper
Lord Leighton PRA
Study of a standing male nude, 1850s?
Pencil on cream wove paper
Lord Leighton PRA
Study of a standing male nude drawn from memory
Pencil on white wove paper
Lord Leighton PRA
Half-length study of a female nude for the figure of Eurydice in 'The Triumph of Music'
Red chalk on brown/grey laid paper
Lord Leighton PRA
Studies of a seated child
Pencil on cream wove paper
Lord Leighton PRA
Standing male nude in profile, 1850s?
Pencil on cream wove paper
Lord Leighton PRA
Life drawing of a male nude sitting on a stool
Black chalk on grey laid paper
Lord Leighton PRA
Nude study for Romeo and Juliet in 'The Reconciliation of the Montagues and the Capulets', ca. 1854
Black chalk with highlights in white paint on buff wove paper
Lord Leighton PRA
Half-length drawing of a boy, 1850s?
Black chalk and white lead paint (slightly oxidised) on blue/grey wove paper
Lord Leighton PRA
Life drawing of a reclining male nude, late 1840s / early 1850s?
Black chalk on buff laid paper
Lord Leighton PRA
Life drawing of a standing male nude
Black chalk on grey laid paper
Lord Leighton PRA
A half-reclining male nude, 1861
Black chalk on light green toned laid paper
Lord Leighton PRA
Life drawings of a seated male nude
Black and red chalk and pencil on cream laid paper
Lord Leighton PRA
Life drawing of a standing male nude leaning over to the left
Black chalk on light grey laid paper
Lord Leighton PRA
St Jerome, 1869
Oil on canvas
Lord Leighton PRA
Sketch model for the figure of Andromeda in 'Perseus and Andromeda', ca. 1890
Plaster with bronze coloured paint
Lord Leighton PRA
Sketch model for a group of three figures in 'The Daphnephoria', ca.1896 (after a plaster dated ca.1873)
Bronze on marble base
Lord Leighton PRA
Sketch model for a group of three figures in 'The Daphnephoria', ca. 1873
Plaster with bronze coloured paint
Lord Leighton PRA
Sketch model for figure holding tripod incense burner in 'The Daphnephoria', ca. 1873
Bronze
Lord Leighton PRA
Sketch model for figure holding a lyre in 'The Daphnephoria', ca. 1896 (after a plaster dated ca. 1873)
Bronze
Lord Leighton PRA
Cymon, ca. 1884
Bronze
Lord Leighton PRA
Sketch model for figure holding lyre in 'The Daphnephoria', ca. 1891
Painted plaster
Lord Leighton PRA
Statuette of 'The Sluggard', 1885
Bronze
Lord Leighton PRA
The Sluggard, 1885
Plaster
Lord Leighton PRA
Study of an arm
Black chalk and white paint on blue wove paper
Lord Leighton PRA
Studies of a leg and hands for 'Gehazi dismissed by the prophet Elisha', by 1858
Black and white chalk on buff laid paper
Lord Leighton PRA
Nude study of a woman with a lute, 1853
Pencil on cream wove paper
Lord Leighton PRA
Study for the figure of Dante in 'Cimabue's Celebrated Madonna', by 1853-4
Pencil on cream wove paper
Lord Leighton PRA
Study for Iphigenia
Bronze
Lord Leighton PRA
Figure studies, possibly relating to 'Flaming June', 1890s
Black and white chalk on brown wove paper
Lord Leighton PRA
Standing female nude - for 'Venus and Cupid', ca. 1856
Black chalk and white lead paint on brown wove paper
Lord Leighton PRA
Drapery studies for 'Perseus on Pegasus Hastening to the Rescue of Andromeda', ca. 1895-6
Black and white chalk on brown wove paper
Lord Leighton PRA
Kneeling male nude, probably a study for 'Count Paris', probably ca. 1856-8
Black chalk on beige wove paper
Lord Leighton PRA
Standing male nude viewed from the back
Black chalk on brown wove paper
Lord Leighton PRA
Study for a portrait of Adrian Somerset Marryat, by 1851-2
Black and white chalk on brown wove paper
Lord Leighton PRA
Studies of a girl's head and hands for 'Cimabue's Celebrated Madonna', by 1854-5
Buff wove paper
Lord Leighton PRA
Study of a standing female nude
Black and white chalk on blue wove paper
Lord Leighton PRA
Life drawing of a male nude seen from the back, early 1850s?
Red chalk on cream laid paper
Lord Leighton PRA
Studies for the reverse of the Jubilee Medal, by 1887
Black and white chalk on brown laid paper
Lord Leighton PRA
Two studies for the reverse of the Jubilee Medal, by 1887
Black and white chalk on brown laid paper
Lord Leighton PRA
Life drawing of a seated male nude seen from the back
Black chalk on cream laid paper
Lord Leighton PRA
Study of drapery for 'A Sibyl', c. 1889
Black and white chalk on brown wove paper
Lord Leighton PRA
Standing boy viewed from the back, for 'Cimabue's Celebrated Madonna', by 1854-5
Red chalk with pencil on cream wove paper
Lord Leighton PRA
Sketch model for group of figure in the painting 'The Garden of Hesperides', 1892
Plaster
Lord Leighton PRA
Sketch model for group of figure in the painting 'The Garden of Hesperides', 1892
Bronze
Lord Leighton PRA
Life drawing of a standing male nude in profile
Black chalk on cream laid paper
After Paul Renouard
The Opening of the Royal Academy. The Selecting Committee at Work
Wood-engraving
Ralph W. Robinson
Lord Leighton P.R.A., ca.1889-1891
Platinotype print mounted on off-white card
From: Joseph Parkin Mayall
Sir F. Leighton P.R.A., ca.1884
Photogravure
From: John Watkins
Lord Leighton, P.R.A., ca. 1856-1875
Albumen print mounted on card with printed name
From: John & Charles Watkins
Lord Leighton P.R.A., fl. 1857-1876
Albumen print mounted on card with printed name
David Wilkie Wynfield
Lord Leighton P.R.A. (1830-1896), ca. 1860s
Carbon print on mount with textured paper surface layer
Sir Thomas Brock RA
Bust of Frederic, Lord Leighton, P.R.A., 1892
Bronze
Sir Thomas Brock RA
Model for the tomb of Lord Leighton, P.R.A., ca. 1897-1900
Painted plaster
Charles West Cope RA
The Council of the Royal Academy selecting Pictures for the Exhibition, 1875, 1876
Oil on canvas
George Frederic Watts RA
Portrait of Frederic, Lord Leighton, P.R.A, 1888
Oil on canvas
Sir Lawrence Alma-Tadema RA
A copy of the RA Laws as relating to the Schools, annotated and with sketches by Alma-Tadema, c. 1880
Printed book with pencil annotations and sketches
From: Henry Dixon & Son
Lord Leighton's Lying-in-State at the Royal Academy of Arts, 1896
Lord Leighton PRA
Discourse delivered to the students of The Royal Academy on the distribution of the prizes, December 10th, 1885 / Sir Frederick Leighton, P.R.A. - London: 1885
17/496
Lord Leighton PRA
Addresses delivered to the students of the Royal Academy by the late Lord Leighton - London: 1896
11/344
Lord Leighton PRA
Drawings & studies in pencil, chalk and other mediums / by Lord Leighton of Stretton ; facsimiled after the originals ; with a preface by S. Pepys Cockerell. - London,: 1898.
13/3095
Lord Leighton PRA
Discourse Delivered To The Students Of The Royal Academy; On The Distribution of the Prizes, December 10, 1879. (-1893.) By Sir Frederick Leighton, P.R.A. - London:: 1879. (-1893.)
05/2067