RA Collection: People and Organisations
English writer, printmaker, Clergyman and Schoolmaster, best known as one of the originators of the idea of the picturesque.
Based in Surrey (1753-77) and Hampshire (1777- 1804). Brother of animal-painter Sawrey Gilpin RA (1733-1807); uncle of landscape watercolorist and garden designer William Sawrey Gilpin (1762-1843).
In 1768 Gilpin published his popular Essay on Prints where he defined the picturesque as “that kind of beauty which is agreeable in a picture” and began to expound his “principles of picturesque beauty”, based largely on his knowledge of landscape painting. During the late 1760s and 1770s Gilpin travelled extensively in the summer holidays and applied these principles to the landscapes he saw, committing his thoughts and spontaneous sketches to notebooks. Gilpin’s tour journals circulated in manuscript to friends, such as the poet William Mason, and a wider circle including Thomas Gray, Horace Walpole and King George III. In 1782, at the instigation of Mason, Gilpin published Observations on the River Wye and several parts of South Wales, etc. relative chiefly to Picturesque Beauty; made in the summer of the year 1770 (London 1782). This was illustrated with plates based on Gilpin’s sketches, etched by his nephew William Sawrey Gilpin using the new aquatint process. There followed Observations on the Lake District and the West of England and Remarks on Forest Scenery, and other woodland Views … (London 1791).
Born: 4 June 1724 in Cumberland
Died: 5 April 1804
Gender: Male
William Gilpin
Landscape, 1 February 1794
Aquatint, etching and colour washes
William Gilpin
Landscape, 1 February 1794
Aquatint, etching and colour washes
William Gilpin
Landscape, 1 February 1794
Aquatint, etching and colour washes
William Gilpin
Landscape, 1 February 1794
Aquatint, etching and colour washes
William Gilpin
Landscape, 1 February 1794
Aquatint, etching and colour washes
William Gilpin
Landscape, 1 February 1794
Aquatint, etching and colour washes
William Gilpin
The Wrekin, 1809
Aquatint with hand-colouring
William Gilpin
Dolbadarn Lake, 1809
Aquatint with hand-colouring
William Gilpin
Dolbadarn Castle, 1809
Aquatint with hand-colouring
William Gilpin
Penmanmawr, 1809
Aquatint with hand-colouring
William Gilpin
View near Penmanmawr, 1809
Aquatint with hand-colouring
William Gilpin
Illustrations of ruins, 1809
Aquatint
William Gilpin
Conwy Castle, 1809
Aquatint with hand-colouring
William Gilpin
View near Llandudno, 1809
Aquatint with hand-colouring
William Gilpin
Distant view of Rhyddland Castle, 1809
Aquatint with hand-colouring
William Gilpin
Denbigh Castle, 1809
Aquatint with hand-colouring
William Gilpin
Beeston Castle, 1809
Aquatint with hand-colouring
William Gilpin
St Botolph's Priory, Colchester, 1809
Aquatint with hand-colouring
William Gilpin
Norwich Castle, 1809
Aquatint with hand-colouring
William Gilpin
Distant view of Norwich, 1809
Aquatint with hand-colouring
William Gilpin
Castle Acre, 1809
Aquatint with hand-colouring
William Gilpin
Swaffham church, 1809
Aquatint with hand-colouring
William Gilpin
Ely Cathedral, 1809
Aquatint with hand-colouring
William Gilpin
Landscape between Cambridge and Ely, 1809
Aquatint with hand-colouring
William Gilpin
Distant view of Cambridge, 1809
Aquatint with hand-colouring
William Gilpin
Observations on several parts of the counties of Cambridge, Norfolk, Suffolk, and Essex. Also on several parts of north Wales; relative chiefly to picturesque beauty, in two tours, the former made in the year 1769. The latter in the year 1773. - London: 1809
12/3935
An Essay Upon Prints: Containing Remarks upon the Principles of picturesque Beauty, The Different Kinds of Prints, And The Characters of the most noted Masters; Illustrated By Criticisms upon particular Pieces; To which are added, Some Cautions that may be useful in collecting Prints. [Epigraph from Vergil.] - London:: [1768]
06/1247