William Young Ottley (1771 - 1836)

George Robert Lewis

'Study of a tree' after a drawing attributed to Salvator Rosa, 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A design for a landscape' after a drawing attributed to Claude Lorrain, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

A study of 'a Group of Trees from Nature' after a drawing attributed to Claude Lorrain, 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A design for a Landscape' after a drawing attributed to Gasparo Poussin , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The death of Hippolytus' after a drawing attributed to Nicolas Poussin, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Mars and Venus with Cupids' after a drawing attributed to Nicolas Poussin , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The finding of the true cross' after a drawing attributed to Gregorio Pagani, 1823

Etching and aquatint in colour on j. whatman wove paper

Ignace Joseph de Claussen

'A sheet of caricatures, and amongst them his own portrait' after a drawing attributed to Annibale Carracci , 1823

Etching and aquatint in colour on j. whatman wove paper

Gaetano Stefano Bartolozzi

'A study of the back view of a naked female' after a drawing attributed to Antonio Carracci , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The holy family' after a drawing attributed to Ludovico Carracci, 1823

Etching and aquatint in colour on j. whatman wove paper

Thomas Vivares

'The Madonna and Child' after a drawing attributed to Ludovico Carracci, 1823

Etching and aquatint in colour on j. whatman wove paper

Ignace Joseph de Claussen

'Group of three half-length apostolic figures', 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A female winding thread, and a group of infants' after a drawing attributed to Parmigianino, 1823

Etching and aquatint in colour on j. whatman wove paper

Luigi Schiavonetti

'Study for part of the Celebrated picture called 'La madonna del S. Giorgio', in the Gallery at Dresden' after a drawing attributed to Antonio da Coreggio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Unknown subject' after a drawing attributed to Giorgione da Castelfranco , 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A design for part of another frieze' after a drawing attributed to Polidoro da Caravaggio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A study for part of the celebrated frieze representing the story of Niobe on the Facade of a Palace at Rome' after a drawing attributed to Polidoro da Caravaggio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The Death of Semele' after a drawing attributed to Giulio Romano, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A naked female with attendant infant' after a drawing attributed to Giulio Romano , 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'A female figure standing' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A group of children at play' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'Sports of Sea Nymphs & Tritons' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'The Death of Adonis' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'Study for the figure of ADAM in the celebrated print of ADAM & EVE, engraved by Marc'Antonio' after a drawing attributed to Raffaello Sanzio , 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'The Adoration of the Shepherds' after a drawing attributed to Raffaello Sanzio , 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'Study for part of one of the Ceilings of the Vatican' after a drawing attributed to Raffaello Sanziolong, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

Other 'Study for part of the Celebrated Fresco entitled the Heliodorus in the Vatican' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Study for part of the Celebrated Fresco entitled the Heliodorus in the Vatican' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A Study for the Muse Melpomene in the Fresco of Mount Parnissus in the Vatican'' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

J. Vivares

'A Study for the Bass-relievo on the pedestal of the Statue of Apollo, in the celebrated Frescoe of the School of Athens' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'Study for the figure of Diogenes in the School of Athens' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A study for the group of Archimedes & his disciples in the School of Athens' after a drawing attributed to Raffaello Sanzio , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A study for the school of Athens' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Head of an Angel' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'A Concert' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'A Youth at his Devotions' after a drawing attributed to Raffaello Sanzio , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The Madonna ' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'Study for pat of one of the frescoses painted by PINTURICCHIO in the Library of the Duomo di Siena ' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'The Nativity' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The portrait of himself when a youth' after a drawing attributed to Raffaello Sanzio, 1823

Etching and aquatint in colour on j. whatman wove paper

John Romney

'Charity' after a drawing by Carlo Cencione from a painting by Raffaello Sanzio, 1823

Engraving on thin japanese paper pasted on wove paper album's leaf

J. Vivares

'The death of Hercules' after a drawing attributed to Baccio Bandinelli, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Two figures of prophets' after a drawing attributed to Domenico Beccafumi , 1823

Etching and aquatint in colour on j. whatman wove paper

J. Vivares

'An Old man's head' and 'A Study for the figure of Joseph, in the celebrated fresco called the Madonna del sacco' after two drawing attributed to Andrea del Sarto, 1823

Etching and aquatint in colour on j. whatman wove paper

J. Perry

'Cleopatra' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Study for the head of St. Bartholomew, in the painting of the last judgment' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'Design for part of the last Jugment' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

Thomas Vivares

'A man's head's profile' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

William Long

'Three figures in conversation' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

Thomas Vivares

'A man seated in profile, reading' after a drawing attributed to Michelangelo Buonarroti, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A head' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A study for the figure of Adam in the compartment representing his creation' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A man seated in profile reading' after a drawing attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'A woman dancing a child on her knee' after a drawing attributed to Michelangelo, 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'Head in profile' and 'Herculed & Antaeus' after two drawings attributed to Michelangelo Buonarroti , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'The madonna and Child' after a drawing attributed to Fra Bartolomeo , 1823

Etching and aquatint in colour on j. whatman wove paper

George Robert Lewis

'The Holy family' after a drawing attributed to Fra Bartolomeo, 1823

Etching and aquatint in colour on j. whatman wove paper

Giovanni Vendramini

'Leda' after a drawing attributed to Leonardo da Vinci, 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

'A group of armed men on horseback' after a drawing attributed to Luca Signorelli , 1823

Etching and aquatint in colour on j. whatman wove paper

Thomas Vivares

'A man expiring' after a drawing attributed to Andrea Mantegna , 1823

Etching and aquatint in colour on j. whatman wove paper

Frederick Christian Lewis Snr.

A study for part of the picture of the Adoration of the Magi after a drawing attributed to Fra Filippo Lippi , 1823

Etchingand aquatint in colour on j. whatman wove paper

Giovanni Vendramini

'Christ taken from the cross', after a drawing attributed to Donatello, 1823

Etching in colour on j. whatman wove paper

J. Vivares

'Studies for two apostolic figures', after a drawing attributed to Donatello, 1823

Etching in colour on j. whatman wove paper

George Robert Lewis

'The Madonna and other figures', after a drawing attributed to Giotto di Bondone, 1823

Etching in colour on j. whatman wove paper

J. Vivares

'A first thought for the celebrated Mosiac (sic) called the bark of St. Peter at Rome' , after a drawing attributed to Giotto di Bondone, 1823

Etching in colour on j. whatman wove paper

Ignace Joseph de Claussen

'Studies for the martyrdom of a Saint' , after a drawing attributed to Giovanni Cimabue , 1823

Etching and acquatint in colour on j. whatman wove paper

Thomas Vivares

'St. Luke painting the Virgin', after a Byzantine drawing (?), 1823

Etching and acquatint in colour on wove paper (j. whatman watermark)