John Constable RA, East Bergholt, Suffolk, June 1832.
Mezzotint and drypoint on steel. 139 mm x 185 mm. © Photo: Royal Academy of Arts, London. Photographer: John Hammond.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
East Bergholt, Suffolk, June 1832
John Constable RA (1776 - 1837)
RA Collection: Art
139 mm x 185 mm
Various subjects of landscape, characteristic of English scenery / from pictures painted by John Constable, R.A. engraved by David Lucas - London: 1839 [i.e. 1830]
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![Sir William Chambers RA, Design for window wall, Queen Charlotte's Music Room, Windsor Castle, Berkshire]()
Inside the Academy
> 2 years ago
Fact-checking Bridgerton: The Royal Academy Schools and the Summer Exhibition
If you spotted the Royal Academy’s starring role in Netflix’s biggest series, you might be wondering what was fact and what was fiction. Thankfully, our Librarian Adam Waterton is here to debunk some myths and answer our Bridgerton questions.
-
![John Constable RA, Cloud Study]()
RA Exhibitions
3 years ago
John Constable’s last decade
Constable didn’t know he was entering his ‘late’ period, but in the last ten years of his life he sought truth in nature, and created landscapes infused with timeless imagination.
-
![David Hockney , No. 259]()
RA Exhibitions
> 3 years ago
How to paint ‘en plein air’ like Hockney and Constable
David Hockney works outdoors to capture his vibrant spring scenes – in a tradition that goes right back to Constable and the masters of the 18th century. Artist and tutor Andy Pankhurst shares some tips to get you started…
-
![John Constable RA, Hampstead]()
RA Exhibitions
6 years ago
The beauty of watercolour
The heyday of British watercolour is reflected at the RA in a free exhibition of works from the BNY Mellon Collection, says Ian Warrell.
