John Flaxman RA, Prometheus chained to the rock (from Prometheus Bound), 12 January 1795.
Etching. 176 mm x 200 mm. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
Prometheus chained to the rock (from Prometheus Bound), 12 January 1795
After John Flaxman RA (1755 - 1826)
RA Collection: Art
176 mm x 200 mm
Compositions From The Tragedies of Aeschylus Designed By Iohn Flaxman Engraved By Thomas Piroli The Original Drawings In The Possession Of The Countess Dowager Spencer - London
Associated works of art
1 results
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![John Flaxman RA, Scylla]()
Our Collection
> 4 years ago
How to read it: Flaxman’s ‘The Iliad’ and ‘The Odyssey’
The 18th-century British artist John Flaxman was an established sculptor, but it was his drawn illustrations of ‘The Iliad’ and ‘The Odyssey’ that made him a sensation across Europe.
-
![RA cast display installation]()
Our Collection
7 months ago
Video: Historic casts are re-installed at the RA Schools
After years in storage, watch as our cast collection is re-installed around the RA Schools.
-
![Richard Cosway RA, Richard and Maria Cosway, and Ottobah Cugoano (detail)]()
Our Collection
1 year ago
Untold Stories
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement.
-
![Sir Joshua Reynolds PRA,, Self-portrait of Sir Joshua Reynolds, PRA]()
Our Collection
< 2 years ago
Creative inspiration today from the first President of the Royal Academy
The RA’s founding President Joshua Reynolds may have shaken up the art world when he delivered his ‘Discourses’ lectures, but are they still relevant now? We take a closer look at what artists and art-lovers can learn from the series today.
