William Hogarth, The Company of Undertakers.
218 mm x 178 mm. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited.
This image is not available to download. To licence this image for commercial purposes, contact our Picture Library at picturelibrary@royalacademy.org.uk
The Company of Undertakers
William Hogarth (1697 - 1764)
RA Collection: Art
Satire on quack physicians, including caricature likenesses of the noted bone-setter Sarah Mapp, the quack oculist John Taylor (1703-72), and the medicine maker Dr Joshua Ward (1685-1761). All three were frequently referred to in the papers and in popular songs in 1736, the year the print was made.
Object details
218 mm x 178 mm
Hogarth's prints. Vol. I. - [s.l.]: [n.d.]
Associated works of art
1 results
Start exploring the RA Collection
- Explore art works, paint-smeared palettes, scribbled letters and more...
- Artists and architects have run the RA for 250 years.
Our Collection is a record of them.
Related articles
-
![William Hogarth, Gin Lane]()
Our Collection
> 4 years ago
In 60 seconds: Hogarth’s ‘Gin Lane’ & ‘Beer Street’
Learn how a pair of engravings by satirical artist William Hogarth were used to alter the drinking habits of the British public in the 18th century.
-
![RA cast display installation]()
Our Collection
6 months ago
Video: Historic casts are re-installed at the RA Schools
After years in storage, watch as our cast collection is re-installed around the RA Schools.
-
![Richard Cosway RA, Richard and Maria Cosway, and Ottobah Cugoano (detail)]()
Our Collection
1 year ago
Untold Stories
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement.
-
![Sir Joshua Reynolds PRA,, Self-portrait of Sir Joshua Reynolds, PRA]()
Our Collection
> 1 year ago
Creative inspiration today from the first President of the Royal Academy
The RA’s founding President Joshua Reynolds may have shaken up the art world when he delivered his ‘Discourses’ lectures, but are they still relevant now? We take a closer look at what artists and art-lovers can learn from the series today.
